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And though his run as a leading man in studio films lasted to the end of this past decade, he's been missing, or at least somewhere off in the margins, for some time now.

He was there on the poster, year after year, and then he wasn't, and it took him turning up in a supporting part in the third season of a premium-cable show, There's a story there as well, of course, and Fraser, in his elliptical way, will eventually get around to telling it to me. The other horses in Mexico were lean: mustangs, Fraser says. I mean, I swear, I saw him get kicked so many times, bit, by other horses all the time. “And the veterinarians that ride on those cargo planes, they were like, ‘This horse walked on like he wanted to know what the movie was and what was for dinner.’ He just marched right on.

And his brothers”—Holden, 13, Leland, 11—“ever since they were small, one was always the spokesperson and the other was the enforcer.” Fraser interrupts himself here to talk more about his eldest son.

We've just met, but that doesn't seem to bother him. Griffin, he says, is “a curative on everyone who meets him, I noticed. Or he just makes them, I don't know…put things into sharper relief and maybe find a way to have a little bit more compassion.

Blue-gray stubble around the once mighty chin, gray long-sleeve shirt draped indifferently over the once mighty body.

I'm 35: There was a time when the sight of Fraser was as familiar to me as the furniture in my parents' house. If you watched movies at the end of the previous century, you watched Brendan Fraser.

That movie put him on the track toward a very specific kind of role.

In 1999, he starred in a horror-adventure flick that also made a bunch of money and ultimately spawned a franchise that would occupy, on and off, the next nine years of his life.

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“The naïf cum babe in the woods cum new guy in town cum man-boy cum…visitor-in-an-unusual-environment conceit was, uh…was very, very good to me,” Fraser says now.They were filming down in Mexico, he says, when he and the horse had a shared moment of recognition. And though he's been traveling for most of this past year, going back and forth between Toronto, where he was shooting a series based on an FX series about the kidnapping of John Paul Getty III produced by Danny Boyle, he makes sure to stop in and visit Pecas every few weeks or so.Why he does this is a question with a few different, surprising answers.Fraser was gentle and eager and apparently guileless, and we as a country decided that was something we wanted as frequently as he would provide it, and so he spent some of the best years of his life doing his best to do just that. And on it went—in retrospect, far beyond where Fraser wanted it to go.“I believe I probably was trying too hard, in a way that's destructive,” Fraser says now.

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